To see the time
The pure optical-sound image and its link with the Aion in Gilles Deleuze
DOI:
https://doi.org/10.35305/cf2.v1i.182Keywords:
Deleuze, philosophy of cinema, Aion, image-timeAbstract
This paper aims to investigate the link between the pure optical-sound image and the Aion. For this purpose, it is proposed as a main hypothesis that the pure optical-sound situation is the starting point for acquiring a direct image of time. Indeed, this image would be that of the Aion, the basis of chronological time. The pure optical-sound situation describes the moment in which there is no longer perception followed by action, giving rise to the perception of the interiority of fundamental time. Therefore, it is argued here that what is seen in the pure optical-sound image is the Aion time or time of the event.
References
Aumont, J., Bergala, A., Maire, M., & Vernet M. (2019). Estética cinematográfica. La Marca Editora.
Colman, F. (2011). Deleuze and cinema: the film concepts. Berg.
Deleuze, G. (1994). Lógica del sentido Paidós.
Deleuze, G. (1996). Dialogues. Flammarion.
Deleuze, G. (2013). La imagen-movimiento. Paidós.
Deleuze, G. (2016). La imagen-tiempo. Paidós.
Deleuze, G. (2017). Cine I: Bergson y las imágenes. Cactus.
Deleuze, G. (2018). Cine II: Los signos del movimiento y del tiempo. Cactus.
Deleuze, G. (2018b). Cine III: Verdad y tiempo, potencias de lo falso. Cactus.
Lamberg, G. (2000). Cinema and the outside. En G. Flaxman (Ed.), The brain is the screen: Deleuze and the philosophy of cinema (pp. 253-292). University of Minessota Press.
Marrati, P. (2004). Gilles Deleuze: cine y filosofía. Nueva Visión.
Montebello, P. (2008). Deleuze: philosophie et cinéma. J. Vrin.
Zabunyan, D. (2006). Gilles Deleuze: voir, parler, penser au risque du cinéma. Presses Sorbonne Nouvelle.
Zourabichvili, F. (2011). Deleuze: una filosofía del acontecimiento. Amorrortu.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Felipe Andrés Matti

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
CF2 publishes works under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-ND 4.0). This allows commercial or non-commercial distribution, as long as the work is made available in full and without any modifications, and the original author and first publication in the journal are acknowledged.
By simply submitting a piece of work for evaluation and publication, authors transfer the journal the right to first publication under the aforementioned license. Authors can independently and additionally celebrate other contractual arrangements for non-exclusive distribution of the version published in this journal (e.g. to include their work in an institutional repository or publish it in a book) provided that they clearly state their work was first published by CF2.
Text of the license: https://creativecommons.org/licenses/by-nd/4.0/legalcode